If Ideas Had Shapes

A quoteblog ranging from philosophers in bathrobes to galaxy-rises

Category: Reference

William Strunk, Jr. – The Elements of Style (4th ed., 2000)

It’s in the dictionary, but that doesn’t mean you have to use it.

E. B. White – The Elements of Style (4th ed., 2000)

To use the language well, do not begin by hacking it to bits; accept the whole body of it, cherish its classic form, its variety, and its richness.

E. B. White – The Elements of Style (4th ed., 2000)

Even to a writer who is being intentionally obscure or wild of tongue we can say, “Be obscure clearly! Be wild of tongue in a way we can understand!”

E. B. White – The Elements of Style (4th ed., 2000)

The question of ear is vital. Only the writer whose ear is reliable is in a position to use bad grammar deliberately; this writer knows for sure when a colloquialism is better than formal phrasing and is able to sustain the work at a level of good taste. So cock your ear.

E. B. White – The Elements of Style (4th ed., 2000)

Avoid the elaborate, the pretentious, the coy, and the cute. Do not be tempted by a twenty-dollar word when there is a ten-center handy, ready and able.

E. B. White – The Elements of Style (4th ed., 2000)

The act of composition, or creation, disciplines the mind; writing is one way to go about thinking, and the practice and habit of writing not only drain the mind but supply it, too.

William Strunk Jr. – The Elements of Style (4th ed., 2000)

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all sentences short, or avoid all detail and treat subjects only in outline, but that every word tell.

Strunk & White – The Elements of Style (4th ed., 2000)

“It is an old observation,” [Strunk] wrote, “that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules.”

E.B. White – The Elements of Style (1959)

If you write, you must believe–in the truth and worth of the scrawl, in the ability of the reader to receive and decode the message. No one can write decently who is distrustful of the reader’s intelligence, or whose attitude is patronizing.

Ambrose Bierce – The Devil’s Dictionary (1911)

Accord, n. Harmony.

Accordion, n. An instrument in harmony with the sentiments of an assassin.